This sample rate multiplication is called oversampling, and its proper use is essential for both good DA-conversion and good digital sample rate conversion.Any good reason you want to do that Is that reason worth losing considerable audio quality in your audio files.In other words, that means getting a second DAW (maybe one of your colleagues or friends can help you with that), connecting the analog out of one DAW to the analog in of the second one at 48 kHz.
Convert 44.1 Khz Audio To 48Khz Premiere Code Sync ThemIf possible, try to timecode sync them together thru Midi timecode.
While it might not sound exactly like it did before, it will definitely sound better. ![]() Convert 44.1 Khz Audio To 48Khz Premiere Software Will TryTechnically speaking, those files will still be 44.1 kHz but the software will try to create new samples to fill up the empty spots that have to be filled up at a higher sample rate. The analog signal that will be created from your 44.1 kHz files is analog again, so youre sampling an analog signal again at 48 kHz. I would recommend against doing that unless you really need to. Please explain how the quality of audio gets better with ADA conversion. Which is not necessarily true either, depending on the software used to do the sample rate conversion vs the hardware used to do the DA and AD conversion. Im not very technical and thought there may be a simple way to do it, like a logic plug in. Youll be able to judge for yourself of the quality loss when performing a sample rate conversion. That comment shocked me too at first, but then I realized that he must mean it would sound better than doing a sample rate conversion. Through the use of a low-pass filter at the output of the DA, the signal is a true analog signal that does not contain its original samplerate anymore. This, again, means that you are recording what you anyway hear through your control room speakers. Of course, the higher the quality of your converter (better clocking and analog input stage), the better the result. I just discovered a big difference when recording analogue keyboards into Logic at 48KHZ. In modern converters, the analog filters are highly supported by digital filters that multiply the sample rate first to a much higer frequency that is far beyond the analog filters cutoff point in order to enhance its effect.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |